Search Results

Advanced Search

Note: Layers are contributed from many sources by many people or derived by computer and are the responsibility of the contributor. Layers may be incomplete and locations and dates may be imprecise. Check the layer for details about the source. Absence in TLCMap does not indicate absence in reality. Use of TLCMap may inform heritage research but is not a substitute for established formal and legal processes and consultation.

Log in to save searches and contribute layers.
Displaying 1 result from a total of 1:

Details

Latitude
53.449444
Longitude
-7.503056
Start Date
1842-01-01
End Date
1842-01-01

Description

Sources

ID
tba6b3

Extended Data

DAAO URL
https://www.daao.org.au/bio/thomas-j-nevin
Birth Place
Ireland
Biography
professional photographer and civil servant, was born near Belfast, Ireland. He was apprenticed in 1863 to Alfred Bock. From 1867 until the end of 1875 he worked as a commercial photographer from Alfred Bock's former studio at 140 Elizabeth Street, Hobart. In the 1860s the firm became Nevin & Smith. Robert Smith’s partnership with Nevin was dissolved in 1868. The bulk of the practice was the normal one of taking views, mainly of and around Hobart, like the stereo photo New Town from the Public School (Tasmanian Museum and Art Gallery), and carte de visite studio portraits, such as the hand-coloured cartes-de-visite in the Archives Office of Tasmania, the Queen Victoria Museum and Art Gallery and in private collections. Larger commissions included photographing the full range of coaches used by Samuel Page’s firm in the early 1870s, and convict identification mugshots for the Municipal Police Office, Hobart town Hall held at the National Library of Australia, the Queen Victoria Museum and Art Gallery, Tasmanian Archive and Heritage Office, and the Tasmanian Museum and Art Gallery. Seventy CDV identification photographs of Port Arthur convicts taken in about 1874, two years before the settlement was closed, have been attributed to Nevin because several of them carry his studio stamp. These were exhibited at the Queen Victoria Museum and Art Gallery in 1977 as Nevin’s work and remain in its collection. Chris Long, however, believes he was merely the printer or copyist of these and claims that the Port Arthur commandant A.H. Boyd was the sole Port Arthur convict photographer. Professional photographers, however, were employed to take identification photographs in mainland Australian prisons from the beginning of the 1870s ( see Charles Nettleton ) and these Port Arthur portraits fit the genre. Moreover, the darkroom Boyd authorised in the Port Arthur garden was not necessarily for his own use; no photographs taken by him have been identified. Nevin’s commercial photographic stock and negatives were purchased by Samuel Clifford at the end of 1875 and on 8 January 1876 the studio was advertised for lease. 'Mr Thomas Nevin, photographer’, had been appointed over twenty-three other applicants to the office of keeper at the Hobart Town Hall following the death of the former keeper Mr Needham. Despite a tendency to drink on duty, he remained in the position until 3 December 1880, when he was dismissed for being drunk the previous evening. The more serious charge for which he had been arrested, that he was associated with (or was) a figure in phosphorescent clothing who had been terrorising local residents by appearing late at night as a ghost, was dismissed for lack of evidence. Nevin continued working for the Municipal and Territorial Police until 1888. Writers: Staff Writer willid Date written: 1992 Last updated: 2013
Born
b. 1842
Summary
A professional photographer who worked in Hobart, photographing the views of Hobart and a range of coaches as well as taking portrait photographs.
Gender
Male
Died
c.1922
Age at death
80