Search Results

Advanced Search

Note: Layers are contributed from many sources by many people or derived by computer and are the responsibility of the contributor. Layers may be incomplete and locations and dates may be imprecise. Check the layer for details about the source. Absence in TLCMap does not indicate absence in reality. Use of TLCMap may inform heritage research but is not a substitute for established formal and legal processes and consultation.

Log in to save searches and contribute layers.
Displaying 1 result from a total of 1:

Details

Latitude
-34.5291019
Longitude
150.3158824
Start Date
1828-01-01
End Date
1828-01-01

Description

Sources

ID
tba7c9

Extended Data

DAAO URL
https://www.daao.org.au/bio/charlotte-elizabeth-mcneilly
Birth Place
Oldbury, Sutton Forest, NSW, Australia
Biography
painter, was born at Oldbury, Sutton Forest, New South Wales, on 22 July 1828, eldest child of James Atkinson and his wife Charlotte . Both her parents were writers and her mother was also an accomplished watercolour painter and amateur naturalist. Her sister Caroline Louisa Atkinson , known as Louisa, became well known as a botanist, writer and artist. At first Charlotte Elizabeth was educated mainly by her mother, then for some time attended the Sydney College High School where she won 'the first medal for young ladies’ in drawing and other prizes (including a first and a second for ornamental needlework) in 1842. Attributed to her are four rather crude watercolour profile portraits of the members of her family at about this time (ML): her mother, her brother John, and her sisters Emily and Louisa. In 1847 Charlotte Elizabeth eloped with an illiterate Irish Catholic coachman who worked on the estate, Thomas McNeilly. Although disapproving of the match, her mother insisted they return and be properly married at Oldbury, which was done on 22 July by the Berrima Catholic priest. The McNeillys continued to live at Oldbury until Mrs Atkinson (then Mrs Charlotte Barton ) died. Then they moved to Orange (NSW), where for a time Charlotte operated a private school. According to her daughter, Flora Garlick, Charlotte was also a regular contributor to various journals and newspapers. She and Thomas had 11 children – the last born in 1867 after Flora was married – although when Charlotte Elizabeth died, on 17 March 1911, only three were still living. McNeilly’s watercolour sketch Cockatoo Island from Balmain near the Coal Mine (ML) was painted in 1864. Its bright smooth washes and precise outlines resemble Louisa’s style of landscape painting except that it lacks Louisa’s topographical accuracy. (Charlotte may have copied it from an illustration.) Her scene of the Canobolas Mountains near Orange (p.c.) is similar in style to (her mother’s reputed drawing master) John Glover 's English work. Church of England and Parsonage. Orange. 1868. Opened January 3rd, 1858. Revd R.H. Mayne, Minister (p.c.), a watercolour annotated 'Drawn by C.E. McNeilly’, is the most attractive and detailed of her few known works. Obviously drawn from nature, it shows the original Holy Trinity Church at Orange, now called the Bluestone Hall and owned by the National Trust (NSW). Other drawings she is known to have made during her years at Orange have not been located. Writers: Kerr, Joan Date written: 1992 Last updated: 2011
Born
b. 22 July 1828
Summary
Charlotte McNeilly scandalised her family in 1847 by eloping with an illiterate Irish Catholic coachman who worked on the family estate. They were, however, convinced to return and be respectfully married at her home in Oldbury. They eventually moved to Orange in country NSW where Charlotte ran a school for a time and contributed to various newspapers and journals. She was an adept watercolour art
Gender
Female
Died
17-Mar-11
Age at death
83